Watch The Theory of Everything Megashare

Watch The Theory of Everything Megashare, Just in physical terms, Eddie Redmayne transformation’s into Stephen Hawking is something remarkable. Most of us are familiar with the wheelchair-using Hawking, slouching to one side and speaking with an electronic voice. Redmayne, as if drawing a straight line backward, turns himself into that Hawking over the course of “The Theory of Everything,” but slowly, one gesture and deterioration at a time — until the resemblance becomes something between uncanny and downright freakish.

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Along the way, he gives us a sense of Hawking’s mind. In scenes from Hawking’s student days, Redmayne listens to the professors with the special attention of someone who understands all that he hears and is racing ahead to the next conclusion. Later, as Hawking’s body implodes from motor neuron disease, Redmayne’s face shows a constant play of emotion and thought he can’t express. Using electronics, the best he can manage is four words a minute, and so he must choose his words carefully.

“The Theory of Everything” is the story of about 30 years in Hawking’s life, beginning in the early 1960s, when he was pursuing a doctorate in physics at Cambridge. At 21, Hawking is an awkward young man, but with the peculiar confidence that comes from excelling within his own specialized sphere. At a party, he meets Jane (Felicity Jones), a sober young woman studying Iberian poetry, and after a companionable courtship, they kiss for the first time at a dance.

A nice, almost subliminal virtue of “Theory of Everything” is the way that director James Marsh subtly colors each era, almost as though we’re watching something that’s partly a memory. The Cambridge scenes are presented in earth tones and crisp photography. The first kiss is the occasion for one of the movie’s most elaborate shots, one that pulls back in a swooping arc to show the two young lovers standing above the city, as cars go by below.